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A Room of One's Own, decorating, HGTV, Home, Jane Austen, literature, Martha Stewart, nineteenth century, offices, small spaces, style, Virginia Woolf, womens rights, Writing
Whatever you know of Virginia Woolf’s life and works, you probably don’t associate her with styling. Surprise, surprise: the woman knew the effects on the mind and body of a well-styled room long before Better Homes and Gardens, Martha Stewart, or HGTV filled our lives.
In my third year of college I spent twelve rather grueling weeks studying, obsessing, and making sense out of Virginia Woolf’s writing. It was quite the journey. Out of her stream of consciousness, abstract imagery, and at times rather depressing prose, two things stuck in my mind:
1.) Maintain a room of one’s own:
In her famous lecture turned essay, Virginia Woolf wrote in A Room of One’s Own that one of the most essential things to the success of an artist, and, more specifically, a female artist, was to have a space all to oneself. At the time, Woolf wrote this to point out one of the crucial reasons she believed that women had been unable to write effectively. The nineteenth century woman who “never (had) an half hour…that they can call their own,” did not possess the means to acquire a room, or time, to herself unless “her parents were exceptionally rich or very noble.” At the mercy of her husband or some male support, the average woman, if she desired to write, had to “write in the common sitting room” where of course, “dogs will bark; people will interrupt; money must be made; health will break down.” Woolf felt that, unlike the man who might wander off to an office and shut himself away to work for hours, the women of nineteenth century homes had no such place to work, create, or imagine in.
Women no longer have such restrictions. We make our own money, own our own homes, and follow our own ambitions. Yet, with no limits to our “duties” or desires, women seem to need a room of their own for entirely different, but no less important, reasons. The modern woman is fulfilling roles the nineteenth century woman never dreamed of. By fulfilling these roles though, there is little time to escape into a place where the mind can focus on self, what is important, and what needs to be culled out of a life packed to the brim of to-do’s.
So, take Woolf’s advice: steal a workplace for yourself.
Convert a closet:
Tidy a desk just for you:
Or create an inspiration board:
Maintain a room, a corner, a space all your own where, regardless of whether you are an artist or not, you can put life on pause lest your mind become “heaped…with bitterness and resentment” from the everyday.
2.) Whatever you do, do it like a woman.
In her criticism of a female novelist during the nineteenth century, Woolf noted that the novelist’s writing voice was muddled by her belief that she ought either to admit that “she was ‘only a woman,’” or protest “that she was ‘as good as a man.’” Contrasted to these women, she notes that only Jane Austen and Emily Bronte were successful in their craft because “they wrote as women write, not as men write.” They neither excused themselves for their writing because they were “merely” women, nor tried to adopt a false voice in order to be compared to a man. They were, in essence, essentially themselves. In speaking of women writers, Woolf expresses that “it would be a thousand pities if women wrote like men, or lived like men, or looked like men, for if two sexes are quite inadequate, considering the vastness and variety of the world, how should we manage with one only? Ought not education to bring out and fortify the differences rather than the similarities?”
Wouldn’t she be horrified at the current androgyny? Woolf stated that Jane Austen was one of the few successful female novelist during her time for, unlike other women, she did not try to learn from the “men’s sentences” that were her only examples. Instead, “Austen looked at it (the man’s sentence) and laughed at it and devised a perfectly natural, shapely sentence proper for her own use and never departed from it.”
Whatever you desire to do, take it from Virginia: do it as a woman would do it, not as a man would. Devise your own approach and never depart from it. Excuses and protests will achieve little, but give a woman a space to think and the confidence to think as herself, and there will be, as Virginia found, “no bolt that you can set upon the freedom of my mind.”
source: A Room of one’s own, harcourt, inc, 1989
– <3 A.






Not to poke holes in your eloquent argument, but what about good ol’ Virginia’s pursuit of the androgynous mind?
I did ponder that problem. It seems as if what Virginia sought in the androgynous mind was another sex altogether. Neither male nor female. When she says that “two sexes are inadequate, considering the vastness and variety of the world,” it seems as if she felt neither man nor woman could, in one body (or in one pen), encapsulate the experience of both sexes, or humanity as a whole. She argued that Shakespeare almost achieved this by having a mind that “is resonant and porous: that it transmits emotion without impediment; that it is naturally creative, incandescent and undivided.” In other words, he did not feel as if he needed to assert his masculinity nor diminish femininity and thus was able to develop characters whose personalities were not overshadowed by the persona who wrote them. Of course, as Virginia noted, such incandescence is extremely difficult to land upon. And, since she declares that “the union of man and woman makes for the greatest satisfaction, the most complete happiness” it must follow that we must have clear examples of male and female for the artistic few who are able to capture and convey the experiences of both.
- <3 A.
Can I just say I love your blog? And I think this is brilliant. Keep doing what you’re doing so I can write vicariously through you!
Also…a request…you should do a post on your earl grey cupcakes. I’m sure they tie into literature somehow!
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Thank you Jordan! I love it when my English friends approve
And that is a fabulous idea! I had forgotten about that Austen-party, I definitely will post about them.
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Reblogged this on LIVINGWOMEN and commented:
Segreti di Stile da Virginia Woolf
Thanks for sharing!
-<3 A.
Thanks for bloggin’ it!
HNY
Lovely post. Thanks. I will be mentioning it on Blogging Woolf.
Reblogged this on Blogging Woolf and commented:
Here is a lovely post from Alexandria at vintage muse that connects Virginia Woolf’s thinking about women with the importance of a feminine creation of a creative space of their own — before the advent of Martha Stewart or HGTV.
So glad you enjoyed the post and thanks for sharing! You have an immense amount of info about VW on your own blog, I will definitely be perusing. Woolf holds a special place in my literary heart, when I studied her writing I felt as if I suddenly understood nuances of life I never thought about nor saw before, that’s some powerful writing indeed.
- <3 A.
Cosy style, I love it!
‘…do it as a woman would do it, not as a man would. Devise your own approach and never depart from it. Excuses and protests will achieve little, but give a woman a space to think and the confidence to think as herself, and there will be, as Virginia found, “no bolt that you can set upon the freedom of my mind.”’ Oh, yes, what a wonderful observation. She is a writer to return to again and again for her tart original mind and for the beauty of her prose.
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